While you've probably seen Derrin Brown do his famous subway "instant hypnosis" on people, have you ever considered doing it yourself? If so, you are the person this product was aimed at. The claims are wonderful: "be able to instantly hypnotize someone and drop them like a sack of potatoes"...and all of this with very little training outside of a 2 hour DVD and very thin booklet of information.
And yes, it's too good to be true.
The DVD shows a few examples of Zap in action on random spectators, and then you are given about 90 minutes of "you can do Zap, and here are things to keep in mind" speeches with very little training at all. If you think you're going to walk away from watching this and control people like Derrin Brown, you are dead wrong.
I honestly don't know how Penguin Magic could support this incredibly expensive effect. They usually have a very good track record of keeping high quality effects, but this time through they have dropped the ball. This is something you will watch a time or two, attempt (and fail) a couple of times, and then throw on Ebay. The price of this is high to keep it to a specific audience, which makes the finished product that much more of an insult.
Showing posts with label Mentalism Effects. Show all posts
Showing posts with label Mentalism Effects. Show all posts
Thursday, August 26, 2010
Friday, April 23, 2010
Silent Running
I'm always on the look out for good mentalism effects that are big on presentation while not requiring days of my life in tireless study to accomplish. "Silent Running" sounds like the perfect fit as the spectator thinks of a card and the magician names it, causes it to disappear from the deck, or stabs it with a knife from an shuffled, covered deck. It's sort of a hit-and-miss project that you will either love or hate.
First of all, it's fairly simple to learn. There is a little bit of patter and action you must master (as in most mentalism) but you can get it done in perhaps 20 minutes of good study. After that, it's all in presentation. I applaud the author for giving us 3 very solid ways of telling the spectator what their card was, and I can easily see where they would fit into most environments. The card stab is very high on presentation, but limited in where you can do it. The best choice is the "Dissolving Card", where the spectator counts the cards and finds one missing one: the one they thought of. I prefer his other suggested method, and that's having a blank card in the deck so the spectator finds one blank card and it is supposedly their thought-of card.
None of the choices are necessarily impromptu except the "Direct Mind Read", and even that requires pen and paper. There is a huge bonus section, however, where several other magicians have included their suggestions for using this principle for other versions of the effect, and that practically ensures something for everyone.
The price works for what you get, and I feel I've spent the money wisely on this effect. I won't necessarily do it as the book lays it out, but I've learned a valuable principle I can use for other effects.
First of all, it's fairly simple to learn. There is a little bit of patter and action you must master (as in most mentalism) but you can get it done in perhaps 20 minutes of good study. After that, it's all in presentation. I applaud the author for giving us 3 very solid ways of telling the spectator what their card was, and I can easily see where they would fit into most environments. The card stab is very high on presentation, but limited in where you can do it. The best choice is the "Dissolving Card", where the spectator counts the cards and finds one missing one: the one they thought of. I prefer his other suggested method, and that's having a blank card in the deck so the spectator finds one blank card and it is supposedly their thought-of card.
None of the choices are necessarily impromptu except the "Direct Mind Read", and even that requires pen and paper. There is a huge bonus section, however, where several other magicians have included their suggestions for using this principle for other versions of the effect, and that practically ensures something for everyone.
The price works for what you get, and I feel I've spent the money wisely on this effect. I won't necessarily do it as the book lays it out, but I've learned a valuable principle I can use for other effects.
Saturday, January 2, 2010
Cataclysm
For an "impromptu" prediction routine using playing cards, this is one incredible little effect. I would venture to say any laymen you perform this for would be completely blown away (though magicians might figure it out in a few minutes). This effect is versatile in that it allows you to play it either as a light-hearted routine, or a deeper Derrin Brown type mental effect.
Showing a perfectly shuffled deck, you show how each card has a different number on it. Ask three spectators to each choose a different card (or one spectator can choose all three, of course). As they choose the cards--no force on your part at all...they really are randomly and fairly chosen--you pull them out of the deck and lay them face up on the table. When you're finished, you show them a photograph from your pocket showing three facedown cards with numbers on them. As you flip the cards the spectators chose over, they show to be the same three numbers.
The routine is incredibly easy to perform with zero sleight of hand on your part. It resets in two seconds. It comes with the photographs and a DVD teaching you how to do everything. It also includes two other kickers if you already own a B.I.P. Book. The only thing you have to do is supply your own red-back Bicycle deck and number the cards with a Sharpie.
The only thing that keeps this from being the perfect effect is that you can't let them examine the deck afterward. I don't think anyone would think to though since you show the different numbered cards so freely.
With two minutes of practice, you are ready to perform this wonderful little miracle. It's a nice way for a card performer to introduce a little mentalism, or vice versa.
Showing a perfectly shuffled deck, you show how each card has a different number on it. Ask three spectators to each choose a different card (or one spectator can choose all three, of course). As they choose the cards--no force on your part at all...they really are randomly and fairly chosen--you pull them out of the deck and lay them face up on the table. When you're finished, you show them a photograph from your pocket showing three facedown cards with numbers on them. As you flip the cards the spectators chose over, they show to be the same three numbers.
The routine is incredibly easy to perform with zero sleight of hand on your part. It resets in two seconds. It comes with the photographs and a DVD teaching you how to do everything. It also includes two other kickers if you already own a B.I.P. Book. The only thing you have to do is supply your own red-back Bicycle deck and number the cards with a Sharpie.
The only thing that keeps this from being the perfect effect is that you can't let them examine the deck afterward. I don't think anyone would think to though since you show the different numbered cards so freely.
With two minutes of practice, you are ready to perform this wonderful little miracle. It's a nice way for a card performer to introduce a little mentalism, or vice versa.
Tuesday, October 27, 2009
Til Death Do Us Part

I should have stuck with policy.
Even the back of the box doesn't tell you anything about the effect other than how incredibly powerful it is. Inside you find 10 old photographs of married couples, an envelope, the teaching DVD and the "gimmick". The routine takes about 5 minutes to perform from start to finish, and if you amaze anyone with it you've found the perfect audience for a D'Lite performance as a closer.
Hand the spectator a black envelope to keep for later. Then you show the spectator the photographs while letting them decide which one "gives off strong negative emotions". If they can't pick the right one, then do what they do on the video and magician's force them into it (it's so painfully obvious too). Tell this spooky tale about how the wife killed the husband and ask them to tear the photograph in half. She ripped out his throat, so tell them to tear the husband's photo in half again. Have them arrange the pieces on the table and then tell them to open the envelope.
The pieces match! Kind of.
Even in the demo video, the pieces do not match perfectly. They're close, but it's not like "Holy cow! It's the same!" It's more like "Yep, that's pretty much how you'd tear a photograph twice". This isn't amazing to anyone, and the storyline isn't compelling enough to make it seem remotely spooky. They call this a mentalism routine, but there's nothing mental about it. I think even Derrin Brown would flop with this one.
If you're doing this at a Halloween party with the right ambiance you might get a "Huh, that was weird" kind of reaction, but it's not "an effect that will stay with the spectator long after it's over" or anything.
I will give Alakazam points for including the PDF files here so you can make as many "gimmicks" as you need later on, but it's a minor thing for an effect of this price. I can pretty much guarantee you've already figured out how to do this and create this effect on your own just from reading my description. And now you know why they wouldn't show any of the performance online. Save your money and skip this one.
Monday, August 3, 2009
M.I.N.D. (Mentalism In New Directions)

Unfortunately, if you're not using a special clipboard prop Lee describes, the first section of the book might not mean a lot to you. It can be adapted to other types of readers that use carbon paper or the like, but the beginning of the book is geared that direction. Stick with it though, as there are a lot of great effects still to come in those pages.
Lee goes into detail about his billet work, and he makes an excellent case for its importance in mental magic. One effect he uses involving his photographs and different ladies from the audience leaving a kiss on them as he figures out who is who is particularly nice. The method isn't brand new, but his handling is great and I can honestly say I probably would never have caught it (he includes a couple of the photos in the text so you can see how it's done). His reasoning behind choosing this method rather than gathering items from the audience is especially sound in today's litigious society.
Earle's earlier work is actually some of his most versatile for the average performer. There are several headline prediction variations, and they each have a strength and weakness. I think this allows the individual performer to figure out what's best for him. Earle also includes everything you'll need to print out for some great performances involving fake stock certificates, headline predictions matching a seemingly innocent photograph, and handwriting samples.
The price is a little steep, but for the vast range of material it's a good investment, even for the beginning mentalist.
Monday, July 27, 2009
Emotional Intelligence (E.I.)

This is basically a three-phase effect that is supposed to supply perhaps 15-20 minutes of material for you. If you choose to do this, however, you are going to bore your group to tears unless they really find you fascinating or are simply really good friends. Jermay seems to go on forever before actually beginning the effect, and then unnecessarily explains to the spectator how the first letter of the cards form the words "THE SCAM". After talking about fake psychics, then mentioning "THE SCAM", the spectator is then supposed to believe you can read emotions and minds for real? Nope, not gonna happen.
Derren Brown has performed an effect very similar to this, but his pacing is much faster and it serves to streamline the whole thing. I'm not saying you should rush through the effect, but I AM saying you should "trim the fat" on the presentation given herein. Jermay has some nice ideas on cold reading that you can apply to other work if you want to.
I do like the fact that you get to involve another spectator during phase 2 so this becomes a little more interactive for others. Also, if you can somehow get phase 3 to work flawlessly for you, it ends with a bang. That's going to take some practice though, and you're going to miss it a bit in the beginning.
Tuesday, July 14, 2009
Fundamentalism

"Flip Flop" is so complicated it almost confuses the spectator in the video. The "Hoy Book Test" and "Pick-A-Date" are old routines that are probably on several other videos out there (Ross Johnson's "Simply Psychic" has a better version of the book test that involves describing entire paragraphs rather than a single word, and the video costs half the price). To be fair, David's method does allow a certain impromptu handling if you're at a party and you know someone is going to ask you to do some magic for them.
"Grey Elephants in Denmark" really blew the audience away...in 1995 when Max Maven did it on "World's Greatest Magic". Unfortunately, since then it's been so over-used you can't even consider trying it any more. My 13 year old son came home from school trying to pull it on me because his friends had taught it to him. You might fool a few folks with it, but it's a risk.
"Jumbo 8 Card Brainwave" is probably one of the best effects on the video. It can be adapted for regular Poker size cards if you don't want to play it big for stage. His handling is good on it and for the effect it doesn't take much practice (one move is all you have to learn). He also does a couple of routines using ESP cards that you might consider. It should be mentioned that they can be adapted for use with regular playing cards if you tweak them a little. That would allow you to throw in a little mentalism in the middle of your card routine if you wanted to.
So all totaled we have one killer routine, two fairly good ones, two that can be tweaked to be useful, and four that probably shouldn't have been used. If you're just getting into mentalism, you might consider this, but if you have any experience with it you can skip it.
Friday, July 3, 2009
Simply Psychic

I have to say the first few effects aren't that great. They're more demonstrations than any kind of mentalism. Stick with it though, because things really get good as it goes on. I found five routines I used almost immediately, and that's almost unheard of for me! Most of the time I'm lucky to find 2 effects on the same DVD I actually want to use, but Ross has put together some incredibly simple mental magic that is easy enough for a beginner but that blows away even seasoned magicians if done properly.
Don't get me wrong: you aren't going to fool everyone every time. And since this is mentalism it's going to depend on you to be the showman and sell the effect, but for the amount of practice and effort you have to put into them (not to mention the fact that ALMOST all of these have no chance of failure if done properly), you can't beat it.
The only major change I immediately saw was Omar's Prophecy. As Ross does it, there is that chance of messing up at the beginning just to prove a point...but there's no reason for it. If you apply the last two principles to the first one you have zero chance for failure. He even mentions doing this in his explanation, but still feels his way works best to show the "1 in 3" on the paper. I adapted the handling for parts 2 and 3 into part 1 (which eliminates the chance of missing with your prediction) and have never had anyone question it. Other than that, you're pretty much ready to go out of the box with this video. Awesome magic at an incredible price!
Monday, June 29, 2009
Nothing DVD Set by Max Maven

If you're into mentalism, then you've heard of Max Maven. Actually, even if you aren't, you've probably heard of him. Max is somewhat famous for his sinister-looking appearance, which actually covers an incredibly intelligent man with a passion for magic. This DVD set shows you exactly what can be done when you have to come up with something quickly and can only use the items on hand.
There are several effects taught here, and the amazing thing is that the teaching DVD (the second in this 2-DVD set) is so in-depth you'll know every nuance of Max's routine and why he chose every particular action. This isn't just "here's how it's done", but is more like "here's why it's done"--which helps you as a magician to create your own effects later.
Most everything here can be done within a few minutes of watching it. While you probably won't do his complete routine, you'll probably find parts that immediately resonate with you. He does a sort of book test with magazines that I particularly liked.
This is an expensive set, but worth it.
Saturday, June 27, 2009
Boris Wild Marked Deck

Unfortunately, the ease of reading the marks is the major weakness of the deck. While you can spread the cards and have the spectator choose one for any number of effects beforehand, it will only take them a few seconds to find the mark and even if they can't figure out what it means they'll know the deck is marked. To be fair, Wild includes 3 unmarked Jokers in the pack, so if you're slick enough you can pass these off to the spectator who wants to examine the cards. Still, it won't fool everyone every time.
That being said, if you've always wanted a marked deck but didn't want to spend hours learning the markings, you'll love this. Likewise, if you want a marked deck that you almost can't miss the reading on, this is for you. Most everyone else, however, will probably want to move to a more professional marking system that's worth the effort to learn.
Saturday, June 20, 2009
The Plot Thickens

There are mentalism effects, card tricks, coin tricks, and other various goodies that will make you fly through this rather thin book quickly. There is an effect where you cause a fish drawn on one side of a quarter to jump into the fishbowl drawn on the other side as the coin is spinning on the table. Another effect has you making the spectator believe they must be invisible since another spectator can see the card they chose even though they are holding it close to their chest.
There are several things to enjoy here. Some of them you'll perform immediately, while others might just sit on the back burner for just the right occasion. And then, of course, there are those that will just be read over and forgotten. Meech is currently working on a second book to follow this one, and if it's as promising as this was I'll be buying it as well.
Monday, June 15, 2009
Director's Cut

You get 26 laminated cards, each with a movie poster printed on it along with the movie's main stars and year of release. These should all be familiar to your spectators--I had seen 24 of the 26 movies already--and even if it's not you can choose to describe the movie poster or even name the stars and year of release if you have to.
The DVD teaches you five different methods for revealing the chosen movie. The beauty of it is that you can use them all on the same group of spectators and they'll never catch on to the secret. This is one of those effects that grows even more powerful as you repeat it. And they can examine the cards all they want to because they aren't marked, stripped, transparent, or even color-coded! One of the revelations even has the spectator choosing the card under the table, turning it over in the deck, and then bringing the deck to the table and covering it. This means that neither the spectator nor the magician should have a clue as to which movie was chosen...but you'll get it right every time.
If you happen to be unfamiliar with some of the movies, the DVD includes a PDF file that gives you a brief synopsis of each film and things you can mention as you reveal it. There is a small amount of memory work involved here as you'll have to memorize the 26 movie cards you have there so you can remember which films you're working with, but this shouldn't take long. Once you learn the secret of the effect, you should be able to perform this confidentally in about 20 minutes.
My only complaint is the lack of any form of case for the cards. You're basically holding half of a bridge-sized deck of playing cards, and it doesn't seem too much to ask for at least some small plastic packet case for this since it'll be pretty hard to find something that will hold them. You don't want these cards just sitting in your pocket.
This one is highly recommended. It uses familiar objects, can be examined, plays to a crowd or to just one person, and is easy to learn.
Saturday, June 13, 2009
Mental Yarn

You can perform this trick within five minutes of reading the instructions, as there are only about six things you have to memorize. After that, it's all presentation. You can perform this either one-on-one in a close up situation, or on stage with a spectator (or even two at the same time), and yet it packs so small you can carry with you at any time. While they say you can perform this over the phone, I wouldn't suggest it. The spectator will have to write down the lists you give them, and if they keep them and study them long enough, they'll discover the secret. However, someone casually doing this trick at normal speed will never figure it out.
The effect can be repeated for the same spectator six times without them thinking of the same items again, making this one of those rare effects that actually gets stronger with each repeat performance while still remaining impossible for the spectator to figure out. I have performed this close-up and in group settings and always find it plays big to the crowd, especially if you choose to draw the item they are thinking of rather than just say it out loud.
Some people might think it would be cool to actually have the item on hand and pull it out of a bag or something, but to me that just makes the trick go from a mind-reading effect to something different. The spectator will know they were fooled because you had to have the item ahead of time, rather than just going with the moment and drawing. But I guess that's all a matter of personal taste.
At any rate, if you're looking for a powerful, fun effect that takes little practice yet looks like real magic, you can't beat this for the price.
Saturday, June 6, 2009
Dynamite Book Test

There is a separate routine to be used with the "San Francisco Travel Guide" book by itself, but it's equally unimpressive. You can still allow the volunteer/stooge to choose any word from the page and it's what was written beforehand in a sealed envelope onstage. It doesn't change the fact that this is a lame effect.
For the price, this is far too expensive. If this was $25, I could see it being a great first book test for a beginner or comedy magician. But if you're going to spend this much money on a book test, go with the Dracula or War of the Worlds book tests.
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